No Time to Die?

I have a confession to make. I love James Bond films. I love all of them. I even enjoyed Quantum of Solace, which in the eyes of some fans would condemn me to the outer darkness of cinema hell. Thus I was overjoyed when the twenty-fifth Bond movie, No Time To Die, long-delayed due to COVID, premiered last autumn and I rushed to book tickets faster than you could say “shaken, not stirred”.

Bond movie titles are an artform in themselves, ranging from the sublime (The World is Not Enough) to the slightly bonkers (Octopussy). The title of the latest episode, No Time To Die, is—on one level—a reference to the fact this is actor Daniel Craig’s last outing as the eponymous spy, before he is replaced by a fresh face. It’s no time to die: so Bond will live on in a new incarnation.

For the rest of us who are not multi-faced secret agents, however, life is more brutal: there will, for each of us, be a time to die. Death is the great leveller: no matter your race, gender, politics, or bank balance, all of us will eventually meet our end. Although our culture desperately tries to distract us from thinking about this, events like the pandemic bring us face to face with the spectre of our own mortality.

After the release of No Time to Die, movie critics busied themselves writing about how Daniel Craig’s era as James Bond will be remembered. And death raises for us that same question of remembrance. How will we be remembered when we are gone? A few years ago I attended the funeral of a cousin who had died tragically young. It was a secular service and the officiant closed by saying “Jonathan will live on forever in our memories”. But that isn’t true. We will be forgotten.

Last summer we took the kids to visit their grandparents and my mother showed me an old photo she had found in the attic. A grainy black-and-white image from the 1880s, it showed some long-dead relatives. “I know a couple of their names,” she said, “but the others …” Eventually we won’t be remembered.

If we live in a godless universe, that’s the fate awaiting all of us: gone; forgotten; extinct. No wonder that atheist writer Julian Barnes titled his book about death Nothing to Be Afraid of. For nothing is very much something to fear because if oblivion is our final destination, that also entails that nothing we do now makes any ultimate difference.

But what if atheism isn’t true? If Christianity is true, then there is a God who had you in mind before the world began; a God who calls you by name; a God who offers you—in and through Jesus—an eternity with him.

If there is no God, then there is no time to die and death is to be dreaded. But if the God who revealed himself to us through Jesus is real then we need not fear death. For Jesus said: “I am the resurrection and the life. The one who believes in me will live, even though they die.” For those who trust in Jesus, tomorrow never dies.


(This article originally appeared in The Scotsman newspaper).

The Smuggled Value Judgement

The English village of Hayle is typically picturesque, a small cluster of cottages set around a harbour, looking out to the tranquil waters of St. Ive’s bay. But like so much of England, layers of darker history lie beneath the pretty-as-a-postcard facade. Hidden behind the undergrowth in the garden of what was once the local youth hostel, yawns the mouth of a tunnel. Stoop to step inside its cool darkness and one can walk for hundreds of yards, eventually emerging beneath the cliffs on a nearby cove. Although dank and musty now, local legend identifies this as an ancient “Smuggler’s Tunnel”, once used for bringing illegal contraband ashore under cover of darkness.

The coastal towns and villages of England are full of tales of such tunnels, many dating back centuries to when smuggling was at its height. On moonless nights, sailing ships would pull quietly into bays like that at Hayle, offload their illicit cargo into smaller boats and bring it ashore. There the contraband would be hauled across the sands, carried through tunnels, or even manhandled up sheer cliff faces to a waiting line of locals who would spirit it away. Whole communities benefited from the smuggling trade and the customs men, whose job it was to thwart the black market trade, were often foiled by a stone wall of silence. As Rudyard Kipling, who grew up on the English coast and knew these stories well, wrote in his poem “A Smuggler’s Song”:

If you wake at midnight, and hear a horse’s feet,
Don’t go drawing back the blind, or looking in the street.
Them that ask no questions isn’t told a lie.
Watch the wall, my darling, while the Gentlemen go by!
Five and twenty ponies,
Trotting through the dark—
Brandy for the Parson,
‘Baccy for the Clerk;
Laces for a lady, letters for a spy,
And watch the wall, my darling, while the Gentlemen go by![1]

When you heard the sound of horses, or the whispers of voices late at night, you were supposed to look the other way, ask no questions, ‘watch the wall’, as the contraband was smuggled past.

horseToday, the smuggling business is alive and well, only it is not tobacco or brandy that are secreted past, but value judgements. You see, whenever a writer tells you that something is good and laudable, or that something is bad and condemnable, there is an important question you must ask before you consider whether or not to believe them. What worldview do they subscribe to and does that worldview support the value judgement they are making, or are they having to smuggle it in from outside, hoping that everybody will look the other way?